The character Max Detweiler, the scheming family music director, is fictional. The von Trapps' family priest, the Reverend Franz Wasner, was their musical director for over twenty years and accompanied them when they left Austria.[152] The character of Friedrich, the second oldest child in the film version, was based on Rupert, the oldest of the real von Trapp children. Liesl, the oldest child in the film, was based on Agathe von Trapp, the second oldest in the real family. The names and ages of the children were changed, in part because the third child, who would be portrayed as "Louisa", was also named Maria, and producers thought that it would be confusing to have two characters called Maria in the film.[152] The von Trapp family had no control over how they were depicted in the film and stage musical, having given up the rights to their story to a German producer in the 1950s who then sold the rights to American producers.[152] Robert Wise met with Maria von Trapp and made it clear, according to a memo to Richard Zanuck, that he was not making a "documentary or realistic movie" about her family, and that he would make the film with "complete dramatic freedom" in order to produce a "fine and moving film", one they could all be proud of.[159]
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